Convinced that the man in the window is the same man who followed her, Julia calls the police.
Later that night, Julia returns to her apartment and confronts the man in the window by returning his stare. Irina shows Julia a pistol Cristian gave her that she keeps for protection in the drawer of her coffee table. While the two have drinks together, Irina's ex-boyfriend Cristian knocks on her door, but she makes him leave. Julia finds some comfort in her neighbor, Irina. They find footage of the man and Julia in the store, but Francis is unconvinced that he was stalking Julia. That night, Francis finds Julia rattled by the incident, and, at his suggestion, they visit the market to review the security footage. In a panic, Julia exits the theater and walks to a nearby market, where the man also follows her.
Movie watcher movie#
She enters a movie theater in an attempt to evade him, but the man follows her inside and sits directly behind her. While walking through the city one day, Julia senses a man is following her.
Movie watcher serial#
Julia's fear heightens when she learns of a serial killer, dubbed "the Spider" by local media, who is decapitating young women.
However, she is continuously unnerved by the man in the window, whom she notices watching her on a daily basis. While Francis works long hours, Julia attempts to familiarize herself with the city, and begins learning Romanian. Julia immediately notices a man looming in a window from the building across the street. The couple move into an apartment building with a large picture window. Francis, whose mother is Romanian, is fluent in the language, but Julia is not. Incredulity, curiosity, and doubt would all come before fear, and Okuno and Monroe give each of these their due.American Julia moves to Bucharest with her husband, Francis, who takes a marketing job there. In real life, like Julia, many people would have the same set of reactions to the possibility of danger from a barely-seen stranger. However, on reflection, Okuno is being faithful to the concept. WATCHER goes exactly where it appears to be going, which may make it a bit of a slow burn for some viewers. Indeed, every time we perceive that a plot twist may be coming, we find ourselves mistaken. WATCHER is reminiscent of some old-school thrillers, where atmosphere takes precedence over story. The filmmaker also plants some sturdy clues and at least one topnotch mislead, where what first seems to be a continuity error actually indicates character strategy. Okuno uses space and darkness to illustrate Julia’s isolation. Gorman likewise manages to be ambiguous and highly unnerving by employing stillness and a seldom-raised voice. The performer is restrained, but she has an expressive face that conveys a great deal. In this, the filmmaker has a powerful partner in Monroe, who quietly provides insight into Julia’s emotions and thought processes. At the same time, Bucharest is being terrorized by a serial killer/rapist dubbed the Spider.Ĭredit is due to Okuno that, just for starters, she makes it credible to us that Julia goes out alone, even with this threat around. Trying to get proof of what her instincts tell her, Julia begins observing the neighbor. Only new friend Irina (Madalina Anea) takes Julia’s concerns seriously. Both Francis and a local police officer are inclined to put Julia’s fears down to misunderstanding, boredom turned hysteria, or both. Julia’s awareness becomes alarm when it seems the man (Burn Gorman) has followed her first to a movie theatre, then to the supermarket.
Julia becomes aware that someone appears to be consistently watching her from that building. The scenic view, alas, is just of the building across the street. Francis is American, but his mother is Romanian he is fluent in the language and knows his way around. Julia has accompanied her marketing executive husband Francis (Karl Glusman) to Romana after he’s accepted a job promotion. As a New Yorker, she’s a stranger in a strange land here, unfamiliar with the country and trying (with very slow success) to learn the language. Director/writer Chloe Okuno, adapting a screenplay by Zack Ford, makes the most of everything about the city, knowing most of her audience will find it as new and mysterious as does the protagonist. WATCHER is a thriller that is set and shot in Bucharest, Romania. Writer: Chloe Okuno, based on the screenplay by Zack Ford Stars: Maika Monroe, Karl Glusman, Burn Gorman, Madalina Anea Maika Monroe as Julia in Chloe Okuno’s WATCHER | ©2022 IFC Midnight
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